- Consider responding to music that doesn't have lyrics such as classical or jazz. And trying to represent the structure of the music using visual components.
- Would therefor need to research into the relationship between these two practices as well as practitioners that work the same way.
- How can the audible order of a piece of music be responsible for a particular piece of imagery?
- Maybe allocating different sounds/rhythms/beats with a range of visual stimuli. And using the song to arrange these into a piece.
- Finderskeepersrecords.com
- Krzysztof Komeda, polish composer and jazz pianist. Created famous soundtrack to the film, Cul de Sac. Watching the movie and seeing how to music and movie inform one an other may provide insights into how you want music to inform your making?
- Could you possibly end up writing your own narrative in reaction to a piece of jazz/classical/no lyrics music?
Tuesday, 28 January 2020
Tutorial Ben
Had a tutorial with Ben today which has helped give me a bit of direction for my research.
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